Stephanie Brody-Lederman

Press

• Brody-Lederman’s Parisian Dream [The Independent, 22 January 2019]

  https://indyeastend.com/arts/arts-arts/brody-ledermans-parisian-dream/ New York artist Stephanie Brody-Lederman’s works have found an international audience. Locally, she’s shown works with Elaine Benson, Arlene Bujese, and Sara Nightingale, has won Best In Show twice at the Guild Hall Members Show, and had two solo shows at Guild Hall. Christina Strassfield curated one of Brody-Lederman’s solo shows at Guild Hall, […]

• 5-Page Essay on Stephanie Brody-Lederman in September 2012 Art & Antiques Magazine

  Art & Antiques Magazine has published a 5-page illustrated profile about me and my artwork in their September 2012 issue. It is written by the critic and curator Edward M. Gomez. Link to article Download PDF of Article

• Edward M Gomez essay in The Brooklyn Rail forthcoming

  With this note, I’m delighted to inform you that the New York-based critic, arts journalist and author Edward M. Gómez (a past/present contributor to Art in America, Art & Antiques, Art + Auction, the New York Times, Raw Vision (U.K.), Reforma (Mexico), among many other publications), has written an in-depth critical essay about my career […]

• Art In America , Sept 2008, Review

  Islip, NY Stephanie Brody-Lederman Islip Art Museum Stephanie Brody-Lederman’s art is a kind of visual poetry of souvenir and suggestion, hinting at its subject matter  in evocative words and phrases, and in plainly drawn, iconic motifs–chairs, lanterns, boats, bugs–sprinkled over color saturated grounds.  A veteran of the New York art scene, Brody-Lederman has never jumped […]

• Interview with Leah Oates, NY Arts Magazine

  1. When did you know you were an artist? I knew that I was an artist when I was very young. At about 5 years of age my mother and I would visit my grandparents and while they talked in the living room I would be given a piece of paper with a pencil that […]

• Edward Albee Preface

  I dropped by an exhibition in East Hampton the other day — a display of artists’ books and book-like objects (in one of the few serious galleries in this part of Long Island) — and was drawn at once to a piece by Stephanie Brody-Lederman. It sprang to my attention — not by size or […]

• Greg Masters Review

  Stephanie Brody-Lederman (Rastovski, March 11–29, 1987) Stephanie Brody-Lederman’s very colorful pictograms are created from a range of images complemented with words and phrases integrated into the composition. Their starting point might be the picture cards we saw as children, but her embellishments are highly charged explorations that stretch and far exceed the boundaries of that […]

• Ron Bishop Edison Community College Essay

  May 2, 2001 Gallery of Fine Art Edison Community College “Tropisms and Small Fires” May 11 – July 8, 2001 Opening Reception:  May 11, 6pm to 8pm Artist’s Talk:             May 11, 7pm Contact:  Ron Bishop, Curator This exhibit features the work of New York artist Stephanie Brody Lederman.  The exhibit includes more than 40 paintings […]

• Joseph Karoly Essay

  Stephanie Brody-Lederman OK Harris-Sept 11-October 16, 2004 Brody-Lederman is neither primitive nor faux naïve, but a fox in sheep’s disguise. Her schematic images and anti-calligraphic texts are a sophisticated, emotive short-hand mediated by a self-conscious sensibility. Each painting shows the process of excavation, and rebuilding to the point where a resonant, emotional tension is achieved. […]

• Edward M. Gomez, January 4, 2010

  4 January 2010 Painter-Poet Stephanie Brody Lederman’s Raw Materials: Snippets of Overheard Conversations, Daubs of Restless Color and the Emotional Energy in the Air NEW YORK – The American artist Stephanie Brody Lederman makes paintings on canvas and paper, and mixed-media objects that are potent cocktails of probing psychological, free-floating emotional and ambiguously poetic ingredients. Based in […]